Sorry, this entry is only available in Italian. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.   Andrej Arsen’evič Tarkovskij (Zavraž’e, 4 aprile 1932 – Parigi, 29 dicembre 1986)   In occasione dei novant’anni di nascita del regista, sceneggiatore e scrittore russo, rendiamo omaggio ad uno degli autori … Continue reading “A proposito del cinema liquido di Andrej Tarkovskij”, di Fabrizio Borin. Omaggio al cineasta russo.

Sorry, this entry is only available in Italian. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.   Cosa è rimasto da dire sulla guerra del Vietnam? Tutto. E niente. Dipende, letteralmente, dai punti di vista. Berretti Verdi, Rambo 2, Platoon, Il Cacciatore, Apocalypse Now, Full Metal Jacket ci … Continue reading Perché tutto resti uguale: Lo sguardo Nero sul Vietnam di Da 5 Bloods–Come Fratelli, di Elena Furlanetto

    When in early March even Germany gave up its nonchalance and finally enforced safety measures against COVID 19, such as domestic seclusion, face masks, and the closing of public spaces, I confess cinema wasn’t my first concern. It became one a few days later, when I realized that the movie theatre around the corner had not changed its posters in weeks. With closed-down … Continue reading We Are One, Life Streaming into Cinema, by Elena Furlanetto

Sorry, this entry is only available in Italian. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.   Quando ad inizio marzo anche la Germania abbandonò l’iniziale nonchalance ed impose le misure di sicurezza contro il COVID-19, tra cui reclusione domestica, mascherine e chiusura dei servizi pubblici, confesso che … Continue reading We Are One, la nuova vita del cinema, di Elena Furlanetto

After watching Parasite, my mother texted: “If it had been and American movie, it would have been much more violent.”1 My thoughts went back to Oldboy, Park Chan-wook’s unmatched 2003 cult, where Choi Min-sik pulls someone’s teeth out with a crowbar, and I thought that was highly suspicious – just as suspicious as my mother thinking that in a film there is margin for more … Continue reading Koreans Do It Better: The Academy honors South Korean cinema in Western clothes, by Elena Furlanetto